The exhibition of works by Mary Ellen Mark (1940, USA) presents a classic documentary photography tradition in which photojournalism and subjective documentary align to and overlap each other. Her best-known series focus on socially vulnerable groups of people.

In terms of plots and themes, Mark’s works hint at the socio-critical perspective of her idol, William Eugene Smith. Formally, the works follow in the footsteps of Henri Cartier-Bresson and the principles of his decisive moment, in which it is easy to spot traces of a traditional art education – Mark studied painting, art history and photojournalism at the University of Pennsylvania.

Professionally, she has been working as a photographer since the mid-1960s, and has been publishing books since 1974 about cultural differences, the homeless, the ill and other fate-stricken people. Mark has collaborated with New York Times Magazine, Life, Paris-Match, The New Yorker, … Read More »